dc.contributor.author | Westphal, Elizabeth | |
dc.date.accessioned | 2022-07-14T18:34:50Z | |
dc.date.available | 2022-07-14T18:34:50Z | |
dc.date.created | 2007 | |
dc.date.issued | 2007 | |
dc.identifier.uri | https://dspace.carthage.edu/handle/20.500.13007/12831 | |
dc.description.abstract | The Purpose of this research was to developed a theory
and method for teaching theatre history at the middle school
level. The theory has been based on the parallels between
essentialist theatre training programs and the progressive
creative drama tradition. The history of theatre training and
creative drama were compared and parallels were drawn.
The method proposed using the best of both traditions by
experimenting with a wide variety of ideas, themes, teaching
methods, and periods in teaching theatre history.
Six model units for teaching ancient Greek theatre,
Shakespeare, Commedia Dell Arte, Bunraku, Melodrama, and
Experimental Theatre were outlined. | en_US |
dc.subject | drama | en_US |
dc.subject | theater | en_US |
dc.subject | lmiddle schoo | en_US |
dc.subject | history | en_US |
dc.title | Reconciling the Essentialist and Progressive Views in Drama Education: Teaching Theatre History, Style, Genre, Content, and Form through Process Drama, Improvisation, Primary Sources, and Adolescent Literature at the Middle School Level | en_US |
dc.type | Thesis | en_US |